"Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue" by Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington was released on July 1, 2000. Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 2; Tallis Fantasia; Serenade To Music by Ralph Vaughan Williams, Sir Roger Norrington, London Philharmonic Orchestra. The song's track number on the album is #4 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue by Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue being at 68 テンポ, the half-time would be 34 テンポ with a double-time of 136 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Kesaillan idylli (Summer Night's Idyll), Op. 16, No. 2 (arr. J. Panula) | Oskar Merikanto, Jorma Panula, Camerata Finlandia | F Major | 0 | 7B | 97 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM |