Carl Orff, Chicago Symphony Orchestra, James Levine made "Carmina Burana / Uf dem Anger: Dance" available on January 1, 1985. With Carmina Burana / Uf dem Anger: Dance being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #6. Based on our statistics, Carmina Burana / Uf dem Anger: Dance's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Carmina Burana / Uf dem Anger: Dance by Carl Orff, Chicago Symphony Orchestra, James Levine having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roma Orchestre Suite No.3: Andante molto | Georges Bizet, Paavo Järvi, Orchestre de Paris | C Major | 0 | 8B | 88 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 127 BPM | ||
La Damnation de Faust, Op.24: Hungarian March | Hector Berlioz, Herbert von Karajan, Berliner Philharmoniker | A Major | 3 | 11B | 106 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM | ||
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM | ||
Aida: Danza di piccoli schiavi mori | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | A♭ Major | 1 | 4B | 81 BPM | ||
La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte II - Entracte | Jacques Offenbach, Michel Plasson, Orchestre Du Capitole De Toulouse | D♭ Minor | 0 | 12A | 98 BPM | ||
Rhapsody for Violin and Orchestra No. 2 Sz. 90: I. Lassú: Moderato | Béla Bartók, Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM |