Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras made "Pedro Y El Lobo (Peter and the Wolf): "Mientras tanto, Pedro agarró la cuerda firmemente..." - Narration in Spain" available on January 1, 1990. With Pedro Y El Lobo (Peter and the Wolf): "Mientras tanto, Pedro agarró la cuerda firmemente..." - Narration in Spain being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Prokofiev: Pedro y el Lobo; Obertura sobre temas; Sinfonia Classica". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Pedro Y El Lobo (Peter and the Wolf): "Mientras tanto, Pedro agarró la cuerda firmemente..." - Narration in Spain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pedro Y El Lobo (Peter and the Wolf): "Mientras tanto, Pedro agarró la cuerda firmemente..." - Narration in Spain by Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. La mer et le bateau de Simbad | Nikolai Rimsky-Korsakov, Anima Eterna, Jos Van Immerseel, Midori Seiler | E Major | 0 | 12B | 56 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Peter and the wolf, Op.67: Quand tout à coup,quelque chose d'insolite attira... - Narration in French | Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, Charles Aznavour | C Major | 0 | 8B | 99 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Eduard Brunner, Markus Steckeler, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel | E♭ Major | 3 | 5B | 119 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Margaret Price, René Kollo, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 0 | 4B | 70 BPM | ||
Romeo and Juliet, Op.64 - Act 3: Dance Of the Girls With Lilies | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 0 | 12B | 107 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM |