"L'Orfeo / Act II: Ritornello-Vi ricorda o bosch'ombrosi" by Claudio Monteverdi, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1987. The duration of L'Orfeo / Act II: Ritornello-Vi ricorda o bosch'ombrosi is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. L'Orfeo / Act II: Ritornello-Vi ricorda o bosch'ombrosi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: L'Orfeo" album is number 9 out of 26. On top of that, Germany appears to be the country where this track was created. In terms of popularity, L'Orfeo / Act II: Ritornello-Vi ricorda o bosch'ombrosi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orfeo / Act II: Ritornello-Vi ricorda o bosch'ombrosi by Claudio Monteverdi, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
O dive custos, Z. 504 | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 0 | 10A | 132 BPM | ||
Motets: Repleti sunt omnes | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 81 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Terzo Libro di madrigali, SV 60–74: Là tra ’l sangue (Part II) | Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Miriam Allan, Hannah Morrison, Sean Clayton, Lisandro Abadie | E Major | 0 | 12B | 139 BPM | ||
S'io non miro non moro | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 67 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM |