On March 31, 2014, the song "El Caserío, Acto II: Yo No Sé Que Veo En Ana Mari (Romanza de Joshe Miguel) - Remastered" was released by Federico Romero, Guillermo Fernández-Shaw, Jesús Guridi, Marcos Redondo. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, El Caserío, Acto II: Yo No Sé Que Veo En Ana Mari (Romanza de Joshe Miguel) - Remastered's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of El Caserío, Acto II: Yo No Sé Que Veo En Ana Mari (Romanza de Joshe Miguel) - Remastered by Federico Romero, Guillermo Fernández-Shaw, Jesús Guridi, Marcos Redondo is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andalousie (Excerpts): Santa Maria | Francis Lopez, Luis Mariano, Orchestre Jacques-Henry Rys, Jacques-Henry Rys | G Minor | 5 | 6A | 179 BPM | ||
Hay Que Ver | Orquesta Y Coros Montilla | C Major | 2 | 8B | 128 BPM | ||
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
Coro de Viudas (La Corte de Faraón) - Remastered | Los Chulapos | D Major | 2 | 10B | 69 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
La Canción del Olvido: "Toribio y Toribio y Coro de hombres" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Carlos Munguia | C Major | 3 | 8B | 122 BPM | ||
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
María Manuela: "María Manuela, ¡Calle!¡Qué Horror!..." | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | C Minor | 4 | 5A | 121 BPM | ||
Danses Polovtiennes | Les Chœurs De L'armée Rouge | A Major | 2 | 11B | 44 BPM | ||
La Verbena de la Paloma: Seguidillas | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | A Major | 3 | 11B | 82 BPM |