"A Lovers Journey - Shall I Compare Thee To A Summer's Day" by Libby Larsen, The King's Singers was released on February 10, 2009. The duration of A Lovers Journey - Shall I Compare Thee To A Summer's Day is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. A Lovers Journey - Shall I Compare Thee To A Summer's Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Romance Du Soir". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, A Lovers Journey - Shall I Compare Thee To A Summer's Day is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Lovers Journey - Shall I Compare Thee To A Summer's Day by Libby Larsen, The King's Singers having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elias, Op. 70: Part I: Introduction - so wahr der Herr, der Gott Israels, lebt (Rec.) | Felix Mendelssohn, Karl-Friedrich Beringer | C Major | 1 | 8B | 104 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli | B♭ Major | 2 | 6B | 72 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Weep, O mine eyes - Mixed voices | Bob Chilcott, The Oxford Choir | E Major | 1 | 12B | 94 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
5 Pezzi facili: No. 3. Pavana | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
3 Pieces for Treble Wind and Guitar: I. Canti Breve | Libby Larsen, Caroline Hartig, Christopher Kachian | A Major | 0 | 11B | 80 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM |