"Youkali, Tango Habanera" by Kurt Weill, Cord Garben, Brigitte Fassbaender was released on July 31, 2007. Youkali, Tango Habanera is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. This song is part of Weill: Die sieben Todsünden & Chansons by Kurt Weill, Brigitte Fassbaender, Cord Garben, Radio-Philharmonie Hannover des NDR. The song's track number on the album is #11 out of 15 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Youkali, Tango Habanera is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Youkali, Tango Habanera by Kurt Weill, Cord Garben, Brigitte Fassbaender has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Youkali, Tango Habanera being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz (Face of Another) | Toru Takemitsu, Yuri Bashmet, Wu Man, Moscow Soloists | F Minor | 1 | 4A | 71 BPM | ||
Tango für Elise | Amsterdam Loeki Stardust Quartet | A Minor | 0 | 8A | 129 BPM | ||
Lieder (Duette), Op. 63: IV. Herbstlied | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | F♯ Minor | 2 | 11A | 102 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Anstatt-Dass-Song (1.Akt) (Polly Peachum ist nicht | Bertolt Brecht, Kurt Weill | B♭ Major | 2 | 6B | 108 BPM | ||
Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM |