"O combien est plaisant" by Paschal de l'Estocart, Bruno Boterf, Vincent Bouchot, Jean-Michel Durang, François Fauche, Catherine Greuillet, Nathalie Marec, Hugues Primard, Sophie Toussaint had its release date on 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 28 in De L'Estocart: Deux cœurs aimants by Paschal de l'Estocart, Ludus Modalis. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, O combien est plaisant is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O combien est plaisant by Paschal de l'Estocart, Bruno Boterf, Vincent Bouchot, Jean-Michel Durang, François Fauche, Catherine Greuillet, Nathalie Marec, Hugues Primard, Sophie Toussaint is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Caritas habundat in omnia | Hildegard von Bingen, Sequentia, Barbara Thornton | D Minor | 1 | 7A | 83 BPM | ||
L'Euridice, prologo: Aria di Romanesca | Giulio Caccini, Scherzi Musicali, Nicolas Achten | G Minor | 0 | 6A | 79 BPM | ||
Psalm 42 "Ainsi qu'on oit le cerf bruire" | Paschal de l'Estocart, Maîtrise de Nîmes Men's Choir, Jean-Noël Catrice, Francis Mercet, Arnaud Van de Cauter, Vincent Recolin | C Major | 0 | 8B | 60 BPM | ||
Frescobaldi: Messa sopra l'aria della monica: IV. Sanctus | Girolamo Frescobaldi, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 1 | 6A | 127 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Miserere mei, Deus | Philippe de Monte, Collegium Vocale Gent, Philippe Herreweghe | F Minor | 2 | 4A | 85 BPM |