Gabriel Fauré, Gino Zambelli, Francesca Olga Cocchi's 'Berceuse, Op. 16 - Arr. for Accordina and Piano' came out on May 8, 2020. The duration of Berceuse, Op. 16 - Arr. for Accordina and Piano is about 3 minutes long, at 3:06. Based on our data, "Berceuse, Op. 16 - Arr. for Accordina and Piano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Viral Compilation (Classical) by Various Artists. The song's track number on the album is #18 out of 45 tracks. In terms of popularity, Berceuse, Op. 16 - Arr. for Accordina and Piano is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Berceuse, Op. 16 - Arr. for Accordina and Piano by Gabriel Fauré, Gino Zambelli, Francesca Olga Cocchi has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Berceuse, Op. 16 - Arr. for Accordina and Piano being at 117 テンポ, the half-time would be 58 テンポ with a double-time of 234 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Fauré: Messe basse: Benedictus | Gabriel Fauré, Choir of King's College, Cambridge, Paul Smy, John Butt, Philip Ledger | A♭ Major | 0 | 4B | 75 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM |