Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens made "Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace" available on January 1, 1962. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 12 in Bach, J.S.: Violin Concertos BWV 1041-1043 by David Oistrakh, Igor Oistrakh, George Malcolm, Georg Fischer, Wiener Symphoniker, Royal Philharmonic Orchestra, Eugene Goossens, Antonio Vivaldi, Johann Sebastian Bach. Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace by Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 10 in B Minor for 4 Violins and Cello, RV 580: 1. Allegro | Antonio Vivaldi, Monica Huggett, Catherine Mackintosh, Elizabeth Wilcock, John Holloway, Susan Sheppard, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 3 | 3A | 116 BPM | ||
Chopin: Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Alexandre Tharaud | G Minor | 2 | 6A | 69 BPM | ||
Polonaise de Concert in D, Op. 4 | Henryk Wieniawski, Nikolaj Znaider | D Major | 2 | 10B | 178 BPM | ||
Violin Romance No. 2 in F Major, Op. 50 | Ludwig van Beethoven, David Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens | A♭ Major | 3 | 4B | 73 BPM | ||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 1. Vivace | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | D Minor | 3 | 7A | 94 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 3. Allegro | Johann Sebastian Bach, Richard Adeney, José-Luis Garcia, English Chamber Orchestra, Raymond Leppard | B♭ Minor | 2 | 3A | 131 BPM | ||
Concerto In A Minor, RV 356: 1. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | A Minor | 3 | 8A | 123 BPM |