"Der Freischütz, J. 277 / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften"" by Carl Maria von Weber, Peter Schreier, Siegfried Vogel, Theo Adam, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus was released on January 1, 1973. Since Der Freischütz, J. 277 / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #4 out of 30 tracks. Der Freischütz, J. 277 / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Freischütz, J. 277 / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften" by Carl Maria von Weber, Peter Schreier, Siegfried Vogel, Theo Adam, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Freischütz, J. 277 / Act 1: "O diese Sonne" - "Das Wild in Fluren und Triften" being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 58, Recitative. "Und da sie an die Stätte kamen" (Evangelist) - "Der du den Tempel Gottes zerbricht" [Chorus] - "Desgleichen auch die Hohenpriester" [Evangelist] - "Andern hat er geholfen" [Chorus] | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | C Major | 1 | 8B | 82 BPM | ||
Carmina Burana: XIV. In taberna quando sumus | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | E Major | 3 | 12B | 128 BPM | ||
Liederkreis, Op. 24: No. 1, Morgens steh' ich auf und frage | Robert Schumann, Peter Schreier, Norman Shetler | E Major | 0 | 12B | 103 BPM | ||
Gounod: Faust, Act 2: Ronde du veau d'or. "Le veau d'or est toujours debout" (Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Orchestre Du Capitole De Toulouse | G Minor | 4 | 6A | 52 BPM | ||
Symphony No.9 in D minor, Op.125 - "Choral" - 4.: Allegro assai - | Ludwig van Beethoven, Lucia Popp, Carolyn Watkinson, Peter Schreier, Robert Holl, Netherlands Radio Chorus, Concertgebouworkest, Bernard Haitink | D Major | 3 | 10B | 74 BPM | ||
St. Matthew Passion, BWV. 244 / Pt. 1: No. 8 Evangelist, Jesus: "Da das Jesus merkete" | Johann Sebastian Bach, Peter Schreier, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | D Minor | 1 | 7A | 132 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM |