Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus)' came out on March 28, 1995. The duration of Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus) is about 3 minutes long, at 3:08. Based on our data, "Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Prologue: "Paroissez, charmante Victoire" (Shepherds, Chorus) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Médée, H. 491, Act I: Duo et sarabande. "Quel bonheur suit la tendresse !" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Adrien Fournaison | G Minor | 3 | 6A | 64 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Saul, HWV 53: Act I Scene 5: Air: O Lord, whose Mercies numberless (David) | George Frideric Handel, Stephan MacLeod, David Cordier, Knut Schoch, Barbara Schlick, Claron McFadden, Marcel Beekman, Gotthold Schwarz, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | E Major | 0 | 12B | 61 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo) | Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas Dunford | D♭ Major | 3 | 3B | 136 BPM |