Carmen Schubert Sopran, Riccardo Gunder Klavier's 'Mariä Wiegenlied' came out on September 28, 2022. The duration of Mariä Wiegenlied is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Mariä Wiegenlied's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carmen Schubert Sopran, Riccardo Gunder Klavier's "Guten Abend, Gut Nacht Schlaflieder Aus Aller Welt" album is number 13 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Mariä Wiegenlied's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mariä Wiegenlied by Carmen Schubert Sopran, Riccardo Gunder Klavier to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Sicilienne et danse pour saxophone alto et piano | Michel Mériot, Rob Buckland, Peter Lawson | A Minor | 1 | 8A | 59 BPM | ||
Misa a Buenos Aires "Misatango": Sanctus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Minor | 1 | 6A | 92 BPM | ||
Christ lag in Todesbanden: II. Choral "Christ lag in Todesbanden" | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Allo spuntar del sol | Daniela Mastrandrea | C Major | 2 | 8B | 95 BPM | ||
Sunrise | Prorokk, Tomáš Kováčik | A Minor | 3 | 8A | 78 BPM | ||
Que ne suis-je la fougere? | Jean-Baptiste Weckerlin, Реса Колева, Parashkev Hadjiev | E Major | 3 | 12B | 79 BPM | ||
Waves | Stephanie Puchalla, Anton Bruns | E Minor | 1 | 9A | 79 BPM | ||
Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM |