On January 1, 1991, the song "Suite No. 3 in D, BWV 1068: 2. Air" was released by Johann Sebastian Bach, Kammerorchester "Carl Philipp Emanuel Bach", Peter Schreier. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Peter Schreier, Kammerorchester "Carl Philipp Emanuel Bach"'s "J.S. Bach: Orchestral Suites Nos. 1-5" album is number 16 out of 29. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Suite No. 3 in D, BWV 1068: 2. Air's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Suite No. 3 in D, BWV 1068: 2. Air by Johann Sebastian Bach, Kammerorchester "Carl Philipp Emanuel Bach", Peter Schreier to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
L'Estro Armonico, Op. 3 - Concerto No. 9 in D Major for Violin and Strings, RV 230: I. Allegro | Janacek Chamber Orchestra, Bohuslav Matousek | D Major | 4 | 10B | 103 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Slawische Tänze, op. 46, Nr. 10 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | E Minor | 2 | 9A | 104 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Bach: Air on G String | Polish Radio Symphony Orchestra | D Major | 1 | 10B | 82 BPM |