"5 Pieces for String Quartet: No. 1, Alla valse viennese" by Erwin Schulhoff, Orava Quartet was released on October 6, 2023. With 5 Pieces for String Quartet: No. 1, Alla valse viennese being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "ORAWA". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Australia. In terms of popularity, 5 Pieces for String Quartet: No. 1, Alla valse viennese is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Pieces for String Quartet: No. 1, Alla valse viennese by Erwin Schulhoff, Orava Quartet having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Symphony No. 1 "Land of the Free": III. Viral Veil | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Petrushka, K12 (1947 Version): IVa. The Shrovetide Fair (Evening) | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Rondo a capriccio in G Major, Op. 129, "Rage over a lost penny" (arr. E. Schulhoff for orchestra) | Ludwig van Beethoven, Erwin Schulhoff, Deutsches Symphonie-Orchester Berlin, Roland Kluttig | G Major | 1 | 9B | 76 BPM |