Ludwig van Beethoven, Erwin Schulhoff, Deutsches Symphonie-Orchester Berlin, Roland Kluttig's 'Rondo a capriccio in G Major, Op. 129, "Rage over a lost penny" (arr. E. Schulhoff for orchestra)' came out on May 6, 2014. Since Rondo a capriccio in G Major, Op. 129, "Rage over a lost penny" (arr. E. Schulhoff for orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in E. Schulhoff: Concertos by Erwin Schulhoff, Leipzig String Quartet, Roland Kluttig. Rondo a capriccio in G Major, Op. 129, "Rage over a lost penny" (arr. E. Schulhoff for orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rondo a capriccio in G Major, Op. 129, "Rage over a lost penny" (arr. E. Schulhoff for orchestra) by Ludwig van Beethoven, Erwin Schulhoff, Deutsches Symphonie-Orchester Berlin, Roland Kluttig is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
25 Études faciles et progressives, Op. 100: No. 2, L'arabesque | Franz Burgmüller, Carl Petersson | A Minor | 1 | 8A | 78 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |