Marc-Antoine Charpentier, William Christie made "Charpentier : Il faut rire et chanter - Dispute de bergers H484 : II Brouillards, glaçons, neige, frimas" available on January 15, 1999. The duration of Charpentier : Il faut rire et chanter - Dispute de bergers H484 : II Brouillards, glaçons, neige, frimas is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Charpentier : Il faut rire et chanter - Dispute de bergers H484 : II Brouillards, glaçons, neige, frimas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 36 in Charpentier : Divertissements, Airs & Concerts by Marc-Antoine Charpentier, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Charpentier : Il faut rire et chanter - Dispute de bergers H484 : II Brouillards, glaçons, neige, frimas is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Charpentier : Il faut rire et chanter - Dispute de bergers H484 : II Brouillards, glaçons, neige, frimas by Marc-Antoine Charpentier, William Christie is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Handel: Water Music Suite No. 1, HWV 348 | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 2 | 12B | 117 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM | ||
Concert de Trompettes: Prélude avec les trompettes, Rondeau | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 3 | 8B | 136 BPM | ||
Dies irae, LWV 64/1: Dies irae dies illa | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | F Minor | 3 | 4A | 115 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM |