Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 17, Poco andante' came out on January 1, 1999. With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 17, Poco andante being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #39. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 17, Poco andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 17, Poco andante by Max Reger, Marc-André Hamelin having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | D♭ Minor | 1 | 12A | 84 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Variations & Fugue on a Theme by Telemann, Op. 134: Var. 10, Quasi adagio | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Capriol Suite: IV. Bransles | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM |