"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo)" by Emilio de' Cavalieri, Johannette Zomer, Marco Beasley, L'Arpeggiata, Christina Pluhar was released on 2001. The duration of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 12 out of 100. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo) by Emilio de' Cavalieri, Johannette Zomer, Marco Beasley, L'Arpeggiata, Christina Pluhar to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Rappresentatione di anima et di corpo, Atto II Scena 5: "Alme beate e belle" (L'Intelletto) | Emilio de' Cavalieri, Mark Milhofer, Johannes Weisser, Marie-Claude Chappuis, Gyula Orendt, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 73 BPM | ||
Entrée de Luths | Robert Ballard, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 96 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Cara cossa: Gagliarda, "La cara cossa" | Marco Dall'Aquila, Shirley Rumsey | C Major | 0 | 8B | 125 BPM | ||
Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM |