"Ai giocchi addio" by Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright was released on January 1, 2001. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 40 in Amore: Essential Romantic Collection by Luciano Pavarotti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Ai giocchi addio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ai giocchi addio by Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright is Vivace (lively and fast), since this song has a tempo of 171 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Una voce poco fa | Gioachino Rossini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | E Major | 1 | 12B | 100 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
'O Sole Mio - Live | Luciano Pavarotti, Bryan Adams | A♭ Major | 3 | 4B | 62 BPM | ||
Handel: Amadigi di Gaula, HWV 11, Act 2: "Pena tiranna" (Dardano) | George Frideric Handel, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 2 | 12A | 63 BPM | ||
Vivaldi: Bajazet, RV 703, Act 2: "Sposa, son disprezzata" (Irene) | Antonio Vivaldi, Sumi Jo, Henk Rubingh, Concertgebouw Chamber Orchestra | F Minor | 1 | 4A | 133 BPM | ||
La Passerella Di Otto E Mezzo | Nino Rota | D♭ Major | 8 | 3B | 114 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" | Gioachino Rossini, Luciano Pavarotti, Wiener Opernchor, Wiener Opernorchester, Nicola Rescigno | C Minor | 3 | 5A | 78 BPM | ||
Tosca: E lucevan le stelle | Giacomo Puccini, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | B Minor | 1 | 10A | 66 BPM |