Zoltán Kodály, Hungarian State Symphony Orchestra, Ádám Fischer's 'Háry János, Op. 15: II. Viennese Musical Clock' came out on January 1, 1991. The duration of Háry János, Op. 15: II. Viennese Musical Clock is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Háry János, Op. 15: II. Viennese Musical Clock's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Zoltán Kodály, Hungarian State Symphony Orchestra, Ádám Fischer's "Kodály: Orchestral Favourites, Vol. XX" album is number 2 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Háry János, Op. 15: II. Viennese Musical Clock's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Háry János, Op. 15: II. Viennese Musical Clock by Zoltán Kodály, Hungarian State Symphony Orchestra, Ádám Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Pictures At An Exhibition: Ballet Of The Chickens In Their Shells | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 160 BPM | ||
Táncnóta, K.68 | Zoltán Kodály, Pécsi Testvérvárosok T. Általános Isk. Kórusa | A Minor | 2 | 8A | 97 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: IV. La Réjouissance | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 6 | 3B | 107 BPM | ||
Öregek, K. 77 | Zoltán Kodály, Cantemus Mixed Choir, Soma Szabó | D Minor | 3 | 7A | 134 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 3 | 2B | 98 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM |