"Pini di Roma, P. 141: II. Pini presso una catacomba" by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli was released on January 1, 1993. Since Pini di Roma, P. 141: II. Pini presso una catacomba is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Respighi: Pini di Roma; Fontane di Roma; Feste Romane". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Pini di Roma, P. 141: II. Pini presso una catacomba is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pini di Roma, P. 141: II. Pini presso una catacomba by Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
St Matthew Passion, BWV 244: Part II, No. 53: Chorale "Whate'er May Vex or Grieve Thee" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | D♭ Major | 2 | 3B | 111 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andante molto | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Minor | 1 | 7A | 123 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | D Major | 2 | 10B | 93 BPM | ||
Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 78 BPM | ||
Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 1 | 7B | 94 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Symphony in C Major, WD 33: II. Adagio - 2017 Remastered Version | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Major | 4 | 8B | 149 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM |