"Stabat Mater: V: Tui nati vulnerati" by Antonio Caldara, Gloria Banditelli/Peter Frankl/Monika Frimmer/Gerd Turk/Capella Agostino Steffani/Westfälische Kantorei/Lajos Rovatkay/Hildebrand Haake, Lajos Rovatkay, Capella Agostino Steffani was released on 1991. With Stabat Mater: V: Tui nati vulnerati being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 26 in Allegri: Miserere/Pergolesi: Stabat MaterCaldara: Stabat Mater by Lajos Rovatkay/Westfälische Kantorei/Capella Agostino Steffani, Lajos Rovatkay. Stabat Mater: V: Tui nati vulnerati is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater: V: Tui nati vulnerati by Antonio Caldara, Gloria Banditelli/Peter Frankl/Monika Frimmer/Gerd Turk/Capella Agostino Steffani/Westfälische Kantorei/Lajos Rovatkay/Hildebrand Haake, Lajos Rovatkay, Capella Agostino Steffani is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Risoluto son già tiranno amore: No. 3, Quel panico spavento | Antonio Caldara, Tullia Pedersoli, I Solisti Ambrosiani, Davide Belosio, Claudio Frigerio, Emma Bolamperti, Mauro Pinciaroli | B♭ Minor | 2 | 3A | 130 BPM | ||
The Indian Queen, Z. 630: First Music - First Aire | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | E Major | 1 | 12B | 121 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Maddalena ai piedi di Christo, Parte prima: No. 19, Recitativo "Ma queste tante mie" | Antonio Caldara, Maïlys De Villoutreys, Emmanuelle De Negri, Le Banquet Céleste, Damien Guillon | D♭ Major | 1 | 3B | 188 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM |