Franz Joseph Haydn, Alban Berg Quartett made "Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I" available on January 9, 1996. With Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Alban Berg Quartett's "Haydn - String Quartets, Op 76 Nos 2-4" album is number 7 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I by Franz Joseph Haydn, Alban Berg Quartett to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 26 in C Minor: II. Andante arioso | Johannes Matthias Sperger, L'Arte del mondo, Werner Ehrhardt | A♭ Major | 0 | 4B | 112 BPM | ||
String Quartet No. 1 (In Various Keys), D. 18: II. Menuetto | Franz Schubert, Melos Quartet | B Major | 2 | 1B | 118 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Symphony No. 98 in B-Flat Major, Hob.I:98: II. Adagio | Joseph Haydn, Nicolaus Esterhazy Sinfonia, Béla Drahos | E Major | 1 | 12B | 131 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 3 | 10A | 119 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Concerto for Piano and Violin in G Major, Op. 17: III. Rondo | Johann Nepomuk Hummel, Alexander Trostianski, Polina Osetinskaya, Russian Philharmonic Orchestra, Gregory Rose | G Major | 2 | 9B | 101 BPM | ||
Piano Trio No. 2 in C Major, Op. 87: III. Scherzo (Presto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | G Major | 1 | 9B | 163 BPM |