"Das süsse Lied verhallt (Lohengrin)" by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach was released on August 22, 2006. Since Das süsse Lied verhallt (Lohengrin) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 16 out of 33. Das süsse Lied verhallt (Lohengrin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das süsse Lied verhallt (Lohengrin) by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mein lieber Schwan (Lohengrin) | Max Lorenz, Orchester Der Staatsoper Berlin | D Major | 2 | 10B | 93 BPM | ||
Kühlende Labung gab mir die Quell (Die Walküre) | Margarete Teschemacher, Max Lorenz, Kurt Böhme, Staatskapelle Dresden | F Major | 2 | 7B | 86 BPM | ||
There's No Business Like Show Business (From "Annie Get Your Gun") | Irving Berlin, Max Lorenz, Brenda Lewis, Eberhard Wächter, Wolfgang Zimmer, Grosses Wiener Rundfunkorchester, Anton Paulik | D Major | 4 | 10B | 149 BPM | ||
Tannhäuser: Dir, Göttin der Liebe | Richard Wagner, Berliner Rundfunk Orchester, Wilhelm Ulbricht, Alfred Frey, Maria Reining, Chor des deutschen Opernhauses Berlin, Artur Rother, Max Lorenz, Chorus, Ludwig Hofmann, Karl Schmitt-Walter, Walther Ludwig, Walter Großmann | B Minor | 2 | 10A | 109 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM | ||
Serenade for Strings in E Major, B.52: IV. Larghetto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 72 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Rossini: La Cenerentola: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 147 BPM |