"Bizet / Arr Tharaud: L'Arlésienne, Suite de Concert No. 1: III. Adagietto" by Georges Bizet, Alexandre Tharaud was released on October 21, 2013. The duration of Bizet / Arr Tharaud: L'Arlésienne, Suite de Concert No. 1: III. Adagietto is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Bizet / Arr Tharaud: L'Arlésienne, Suite de Concert No. 1: III. Adagietto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 23 in Autograph by Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bizet / Arr Tharaud: L'Arlésienne, Suite de Concert No. 1: III. Adagietto is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bizet / Arr Tharaud: L'Arlésienne, Suite de Concert No. 1: III. Adagietto by Georges Bizet, Alexandre Tharaud is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 137 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Le docteur Miracle: Scene 12: Quid?… Charlatan, le podestat que voici (Doucteur Miracle, Veronique, Le Podestat, Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 115 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Le docteur Miracle: Scene 8: Duo: En votre aimable compagnie (Laurette, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 1 | 7B | 85 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM |