"Wenn ich einmal soll scheiden (arr. G. Schreck)" by Hans Leo Hassler, Gustav Schreck, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann was released on August 1, 2010. The duration of Wenn ich einmal soll scheiden (arr. G. Schreck) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Wenn ich einmal soll scheiden (arr. G. Schreck)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 22 in Am Brunnen vor dem Tore by Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann. The popularity of Wenn ich einmal soll scheiden (arr. G. Schreck) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wenn ich einmal soll scheiden (arr. G. Schreck) by Hans Leo Hassler, Gustav Schreck, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann is Presto (very, very fast), since this song has a tempo of 195 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM | ||
Laetatus sum (Salmo 121) RV607 | Antonio Vivaldi, Taverner Choir, Taverner Players, Andrew Parrott | F Major | 2 | 7B | 125 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
O for a Closer Walk with God | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Christopher Robinson | C Minor | 0 | 5A | 67 BPM | ||
Eto esta psicopata | Los zaca tk | F Minor | 9 | 4A | 124 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM |