"III Litania - Litany No. 3: II. Christe audi nos" by Stanisław Moniuszko, Jacek Kaspszyk, Chór Polskiego Radia, Wrocławska Orkiestra Barokowa, Magdalena Lisak, Anna Dennis, Markéta Cukrová, Virgil Hartinger, Jarosław Bręk was released on 2013. The duration of III Litania - Litany No. 3: II. Christe audi nos is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. III Litania - Litany No. 3: II. Christe audi nos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stanisław Moniuszko, Jacek Kaspszyk, Chór Polskiego Radia, Wrocławska Orkiestra Barokowa's "Litanie Ostrobramskie (Litanies of Ostra Brama)" album is number 11 out of 18. On top of that, Poland appears to be the country where this track was created. In terms of popularity, III Litania - Litany No. 3: II. Christe audi nos is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of III Litania - Litany No. 3: II. Christe audi nos by Stanisław Moniuszko, Jacek Kaspszyk, Chór Polskiego Radia, Wrocławska Orkiestra Barokowa, Magdalena Lisak, Anna Dennis, Markéta Cukrová, Virgil Hartinger, Jarosław Bręk to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: Dance Of The Knights (Transcr. for Solo Violin and Chamber Orchestra) | Sergei Prokofiev, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Blooming of White Roses | Polish National Philharmonics Orchestra and Choir | E Minor | 2 | 9A | 86 BPM | ||
Hungarian Dance No.7 in F Hungarian Dance No. 7 in A - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Major | 0 | 7B | 74 BPM | ||
Pobłogosław Ojcze Panie | Stanisław Moniuszko, Orkiestra Teatru Narodowego | G Major | 2 | 9B | 76 BPM | ||
Gdybym był bogaczem | Jerry Bock, Bernard Ładysz | D♭ Major | 2 | 3B | 135 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Baird: 4 Love Sonnets: No. 2, Drwię, mając ciebie, z całej ludzkiej pychy | Tadeusz Baird, Jakub Józef Orliński, Michał Biel | D♭ Minor | 3 | 12A | 71 BPM |