"Figure humaine, FP 120: IV. Patience" by Francis Poulenc, Tenebrae, Nigel Short was released on May 10, 2010. With Figure humaine, FP 120: IV. Patience being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 23 in Figure Humaine by Francis Poulenc, Tenebrae, Nigel Short. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Figure humaine, FP 120: IV. Patience is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Figure humaine, FP 120: IV. Patience by Francis Poulenc, Tenebrae, Nigel Short is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
4 Motets pour un temps de pénitence, FP 97: No. 2. Vinea mea electa | Francis Poulenc, Elora Festival Singers, Noel Edison | F Major | 1 | 7B | 75 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Adagio and Allegro, Op. 70 (version for cello and piano): Adagio | Franz Schubert, Maria Kliegel, Kristin Merscher | A♭ Major | 0 | 4B | 164 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | D Major | 0 | 10B | 169 BPM | ||
Montparnasse, FP 127 No. 1 | Francis Poulenc, Felicity Lott, Pascal Rogé | D♭ Major | 1 | 3B | 66 BPM |