Unknown's ' "March for Wembley (The Sheffield Wednesday Anthem)" was released on its scheduled release date, January 1, 1986. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of We Are The Owls by Various Artists. The song's track number on the album is #6 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. March for Wembley (The Sheffield Wednesday Anthem) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since March for Wembley (The Sheffield Wednesday Anthem) by Unknown has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With March for Wembley (The Sheffield Wednesday Anthem) being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mouret: Fanfares pour des trompettes, timbales, violons et hautbois: IV. Guay | Jean-Joseph Mouret, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 4 | 10B | 0 BPM | ||
Flute Concerto No. 5 in F Major: IIc. Var. 2, Andante cantabile | Saverio Mercadante, Patrick Gallois, Czech Philharmonic Chamber Orchestra | F Major | 1 | 7B | 83 BPM | ||
3 Danzas Andaluzas, Op. 8: No. 2, Tango (Arr. for String Orchestra by Anonymous) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | F Major | 0 | 7B | 105 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato (Cadenza by N. Atstaedt) | Joseph Haydn, Nicolas Altstaedt, Kammerakademie Potsdam, Michael Sanderling | C Major | 1 | 8B | 140 BPM | ||
25 Études faciles et progressives, Op. 100: No. 5, Innocence | Franz Burgmüller, The Gerst Ensemble | F Major | 0 | 7B | 84 BPM | ||
Sonata No. 7 in C Major: V. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
Concerto for 2 violins in D minor 2nd movement | Hajime Mizoguchi | F Major | 1 | 7B | 95 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Opera In One Irrevocable Act (S.13): Finale: "What Hutzpah" | Unknown, Peter Schickele | G Major | 3 | 9B | 122 BPM |