"When My Mother Taught Me to Sing (From Gypsy Melodies, Op. 55)" by Dvorak, Grand Philharmonia Orchestra was released on 2015. The duration of When My Mother Taught Me to Sing (From Gypsy Melodies, Op. 55) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. When My Mother Taught Me to Sing (From Gypsy Melodies, Op. 55)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 30 Classical Masterpieces, Vol. 2, so we believe that "When My Mother Taught Me to Sing (From Gypsy Melodies, Op. 55)" is a single. When My Mother Taught Me to Sing (From Gypsy Melodies, Op. 55) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of When My Mother Taught Me to Sing (From Gypsy Melodies, Op. 55) by Dvorak, Grand Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
Viennese Blood | Strauss, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Any Dream Will Do (Theme from "Joseph and the amazing Technicolor Dreamcoat") | Grand Philharmonia Orchestra | E Major | 5 | 12B | 106 BPM | ||
Falla / Arr. Kreisler: La vida breve, Act 2: Spanish Danse No. 1 | Manuel de Falla, Tasmin Little, Piers Lane | D Minor | 2 | 7A | 112 BPM | ||
L'Arlésienne Suite No.1, WD 40: 4. Carillon | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 138 BPM | ||
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 1: Wedding March | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 84 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM |