"Tristan: I. Prologue" by Hans Werner Henze, Igor Levit, Franz Welser-Möst, Gewandhausorchester was released on September 9, 2022. Tristan: I. Prologue is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Tristan". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Tristan: I. Prologue is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tristan: I. Prologue by Hans Werner Henze, Igor Levit, Franz Welser-Möst, Gewandhausorchester having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Blå Skygge - Blue Shadow: Preludium | Yngve Slettholm, Vegard Landaas, Sidsel | D♭ Major | 0 | 3B | 150 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM | ||
Sinfonie Nr. 4 (1955) For Large Orchestra: Quaver = 92 (T.460) | Hans Werner Henze, Berliner Philharmoniker | A♭ Minor | 5 | 1A | 33 BPM | ||
Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: No. 2, Danse générale | Maurice Ravel, Sinfonia Of London, John Wilson | D♭ Major | 3 | 3B | 86 BPM | ||
Préludes, Book 1, L. 117: No. 11, La danse de Puck (Excerpts Arr. J. Corbett & S. Seiler for Clarinet & Harp) | Claude Debussy, Duo Imaginaire | F Minor | 0 | 4A | 143 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 2. Langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | C Major | 0 | 8B | 95 BPM | ||
Nachtstücke und Arien: 1. Nachtstück I | n/a, Hans Werner Henze, Michaela Kaune, Peter Ruzicka, NDR-SO | E♭ Major | 1 | 5B | 98 BPM |