"Die Walküre, WWV 86B / Act 1: "Kühlende Labung gab mir der Quell"" by Richard Wagner, Poul Elming, Alessandra Marc, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. Since Die Walküre, WWV 86B / Act 1: "Kühlende Labung gab mir der Quell" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #3 out of 43 tracks. Die Walküre, WWV 86B / Act 1: "Kühlende Labung gab mir der Quell" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act 1: "Kühlende Labung gab mir der Quell" by Richard Wagner, Poul Elming, Alessandra Marc, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, WWV 86B / Act 1: "Kühlende Labung gab mir der Quell" being at 79 テンポ, the half-time would be 40 テンポ with a double-time of 158 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | A Major | 1 | 11B | 89 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. Final Scene from Goethe's Faust. "Alles Vergängliche", Pt. 2 | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus, Birgit Remmert, Christine Brewer, David Wilson-Johnson, Jane Henschel, John Relyea, Jon Villars, Juliane Banse, Soile Isokoski, Toronto Children's Choir | E♭ Major | 6 | 5B | 102 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM |