"Piano Concerto in F Minor, Op. 6: II. Larghetto" by Karel Kovařovic, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák was released on February 9, 2024. Since Piano Concerto in F Minor, Op. 6: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Kovařovic: Piano Concerto in F Minor, Op. 6: II. Larghetto and no other songs are present in the album, we classify this track as a single. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Piano Concerto in F Minor, Op. 6: II. Larghetto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in F Minor, Op. 6: II. Larghetto by Karel Kovařovic, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
9 Preludes, Op. 103: No. 7 in A Major | Gabriel Fauré, Kathryn Stott | A Major | 0 | 11B | 131 BPM | ||
Danzas fantásticas, Op. 22: No. 3, Orgía (Arr. for Piano & String Orchestra by Roberto Coll) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | D Major | 1 | 10B | 109 BPM | ||
Scheherazade Op. 35 (Transcr. for Piano by Florian Noack): III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Jolantha, Königin von Jerusalem, Act IV: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
Piano Trio in G Major, CD 5: IV. Finale. Appassionato | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
Blumenleben, Op. 19: No. 5, Rose | Dora Pejačević, Donka Angatscheva | A Major | 2 | 11B | 79 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": IV. Presto | Franz Schubert, Cherubini-Quartett | C Major | 1 | 8B | 110 BPM |