Dora Pejačević, Donka Angatscheva's 'Blumenleben, Op. 19: No. 5, Rose' came out on October 28, 2022. The duration of Blumenleben, Op. 19: No. 5, Rose is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Blumenleben, Op. 19: No. 5, Rose's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Flaka Goranci, World Chamber Orchestra's "La femme: Journey of Female Composers" album is number 9 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Blumenleben, Op. 19: No. 5, Rose is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blumenleben, Op. 19: No. 5, Rose by Dora Pejačević, Donka Angatscheva to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Lied ohne Worte Op.62-6 "Fruhlingslied" | Felix Mendelssohn, Kazune Shimizu | E Major | 0 | 12B | 102 BPM | ||
Piano Sonata No. 2 in C-Sharp Minor, Op. 60: I. Allegro ma non troppo | Sergei Bortkiewicz, Diana Chubak | D♭ Minor | 2 | 12A | 71 BPM | ||
Cello Sonata in E Minor, Op. 35: III. Adagio sostenuto | Dora Pejačević, Christian Poltéra, Oliver Triendl | C Major | 0 | 8B | 135 BPM | ||
Concerto for 2 Pianos, K058: I. Con moto | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | ||
Davidsbündlertänze, Op. 6: V. Einfach | Robert Schumann, Philippe Bianconi | B Major | 0 | 1B | 76 BPM | ||
Gondellied, Op. 4 | Dora Pejačević, Natasa Veljkovic | B Minor | 0 | 10A | 68 BPM | ||
Nocturnes, FP 56: No. 1 in C Major | Francis Poulenc, Michael Landrum | C Major | 1 | 8B | 68 BPM | ||
7 Recitatives & Fugues: Recitative No. 3, Allegro giocoso | Aram Khachaturian, Charlene Farrugia | A♭ Major | 3 | 4B | 116 BPM | ||
Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120 No. 1: I. Allegro appassionato | Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau | B♭ Major | 3 | 6B | 103 BPM |