"Scaramouche, Op. 165: II. Modéré" by Darius Milhaud, Jos Van Immerseel, Lisa Shklyaver was released on February 24, 2015. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jos Van Immerseel, Lisa Shklyaver's "La clarinette française" album is number 12 out of 13. Scaramouche, Op. 165: II. Modéré is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scaramouche, Op. 165: II. Modéré by Darius Milhaud, Jos Van Immerseel, Lisa Shklyaver to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Christophe Colomb, Tableau XIII, Op. 102, Act II, Scene 13: "Je demande audience au Roi d'Espagne" (Colomb, Majordome, Jeune homme, Savants) | Darius Milhaud, Orchestre Radio Lyrique, Manuel Rosenthal, Robert Massard, Jean Giraudeau, Pierre Germain, Jacques Chalude | F Minor | 1 | 4A | 135 BPM | ||
Scaramouche, Op. 165b (arr. for saxophone and piano): II. Modere | Anonymous, Darius Milhaud, Koryun Asatryan, Eun Bae Jang | B♭ Major | 0 | 6B | 72 BPM | ||
L'homme et son désir, Op. 48: III. L’Homme endormi et le fantome de la Femme morte | Darius Milhaud, Tomoko Makuuchi, Jian Zhao, Mathias Vidal, Bernard Deletré, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 1 | 7B | 142 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
La vida breve: Danse Espagnole | Manuel de Falla, Janine Jansen, Antonio Pappano | A Major | 3 | 11B | 106 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM |