Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL's 'Duet Uit De 'Parelvissers'' came out on May 1, 2010. The duration of Duet Uit De 'Parelvissers' is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Duet Uit De 'Parelvissers''s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL's "Musica di Venezia" album is number 15 out of 19. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Duet Uit De 'Parelvissers' is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Duet Uit De 'Parelvissers' by Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden: V. Coro "So feÿren wir das hohe Fest" | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Missa Paschalis, ZWV 7: Dona nobis pacem | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 1 | 4B | 173 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Magnificat Fugue Quinti Toni VII, P320 | Johann Pachelbel, Matthew Owens | D Major | 2 | 10B | 69 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He smote all the first-born of Egypt (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Paulus, Op.36, MWV A14 / Part 1: No.16 Choral: "Wachet auf! ruft uns die Stimme" | Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur | D Major | 2 | 10B | 94 BPM | ||
Suite in A Minor, RCT 1: VI. Sarabande | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß | Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan Leusink | E♭ Major | 2 | 5B | 75 BPM | ||
Israel in Egypt, HWV 54: Part II: And the children of Israel sighed (Alto, Chorus) | George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | B Major | 4 | 1B | 111 BPM |