"Missa brevis, Op. 64: V. Agnus Dei" by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens was released on May 1, 2009. With this song being about 5 minutes long, at 4:44, "Missa brevis, Op. 64: V. Agnus Dei" by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of William Mathias: Missa brevis & Other Choral Music by William Mathias, Wells Cathedral Choir, Matthew Owens. The song's track number on the album is #11 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Missa brevis, Op. 64: V. Agnus Dei is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa brevis, Op. 64: V. Agnus Dei by William Mathias, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Missa brevis, Op. 64: V. Agnus Dei being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Mystical Songs: No. 5, Antiphon | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Behind the ocean | Larimar Music Vibes | A♭ Minor | 0 | 1A | 140 BPM | ||
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
And I Saw a New Heaven | Edgar Leslie Bainton, The Choir of The Queen's College Oxford, Rebecca Baker, Owen Rees | G Major | 1 | 9B | 75 BPM | ||
I Will Wash My Hands in Innocency | Edward Bairstow, The Choir of York Minster, Robert Sharpe | B Major | 2 | 1B | 0 BPM | ||
Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM |