"Five Mystical Songs: No. 5, Antiphon" by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir was released on November 1, 1988. The duration of Five Mystical Songs: No. 5, Antiphon is about 3 minutes long, at 3:29. Based on our data, "Five Mystical Songs: No. 5, Antiphon" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Dona Nobis by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, Edith Wiens, London Philharmonic Choir. The song's track number on the album is #11 out of 11 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Five Mystical Songs: No. 5, Antiphon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Mystical Songs: No. 5, Antiphon by Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Five Mystical Songs: No. 5, Antiphon being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra: II. Romanze - Lento | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | C Major | 0 | 8B | 134 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation No. 16 Lento | Sergei Rachmaninoff, Daniil Trifonov | D♭ Major | 0 | 3B | 177 BPM | ||
Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM |