"Werther / Act 3: Toute mon âme est là!" by Jules Massenet, Plácido Domingo, Cologne Radio Symphony Orchestra, Riccardo Chailly, Jean Lemaire was released on January 1, 2006. The duration of Werther / Act 3: Toute mon âme est là! is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Werther / Act 3: Toute mon âme est là!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Plácido Domingo, Elena Obraztsova, Kurt Moll, Arleen Auger, Cologne Radio Symphony Orchestra, Riccardo Chailly's "Massenet: Werther" album is number 8 out of 41. Werther / Act 3: Toute mon âme est là! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Werther / Act 3: Toute mon âme est là! by Jules Massenet, Plácido Domingo, Cologne Radio Symphony Orchestra, Riccardo Chailly, Jean Lemaire to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Massenet: Thaïs, Act II, Tableau 2: Méditation (Andante religioso) | Jules Massenet, Lorin Maazel, New Philharmonia Orchestra | D Major | 1 | 10B | 67 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Nocturne in E-Flat Major | Mikhail Glinka, Xavier De Maistre | E♭ Major | 0 | 5B | 81 BPM | ||
Méditation, From Thaïs | Arts Music Recording, Rotterdam, Gil Sharon, Jules Massenet, Idith Zvi | D Major | 1 | 10B | 92 BPM | ||
Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM |