Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" - Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir 情報

音響性: 99%
ダンサビリティ: 28%
エネルギー: 14%
手段性: 11%
活気: 31%
ラウドネス: 66%
話し言葉: 5%
価数: 19%
人気: 14%
ラウドネス: -20.351 dB

まとめ

"Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe"" by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir was released on January 1, 1989. With Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" テンポ

The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" by Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" キー

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

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Track	Artist	Key	Energy	Camelot	BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	E♭ Major	1	5B	103 BPM
St. John Passion, BWV 245: Part II: Chorale: Christus, der uns selig macht (Chorus)	Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	A♭ Minor	1	1A	112 BPM
II. Himmelskönig, Sei Willkommen BWV 182, Coro: Himmelskönig, Sei Willkommen	Pieter Jan Leusink, Holland Boys Choir; Netherlands Bach Collegium, John Wilson Meyer, Sytse Buwalda, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton, Anneke Boeke, Knut Schoch	D♭ Major	2	3B	77 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
Magnificat in D Major, BWV 243: Fecit potentiam (Soprano, Alto, Tenor, Bass)	Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling	D Major	4	10B	112 BPM
Jesu, der du meine Seele, Cantata BWV 78: 1. Chorus: Jesu. der du meine Seele	Johann Sebastian Bach, Julianne Baird, Allan Fast, Frank Kelly, Jan Opalach, The Bach-Ensemble, Joshua Rifkin	F♯ Minor	1	11A	88 BPM
Herz und Mund und Tat und Leben, BWV 147: Aria: Ich will von Jesu Wundern singen (Bass)	Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper	B Major	3	1B	175 BPM
Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri	Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury	D♭ Major	3	3B	112 BPM
Wir müssen durch viel Trübsal BWV 146	Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Sandrine Piau, Johannette Zomer	E Major	1	12B	84 BPM
Jesu, meine Freude, BWV 227: II. Es ist nun nichts	Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth	A♭ Minor	1	1A	105 BPM

ISRC: This song does not have an ISRC.
レコードレーベル: L-M Records/RCA Records