"Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio" by Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1991. Since Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner's "Mozart" album is number 2 out of 7. In terms of popularity, Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio by Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Sir Neville Marriner, Academy of St. Martin in the Fields to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | G Minor | 2 | 6A | 119 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose | Wolfgang Amadeus Mozart, Susan Palma-Nidel, Bernard Rose, Nancy Allen, Orpheus Chamber Orchestra | C Major | 1 | 8B | 124 BPM | ||
Concerto for 3 Violins in F Major, RV 551: II. Andante | Antonio Vivaldi, Anne-Sophie Mutter, Elias David Moncado, Mohamed Hiber, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker | E♭ Major | 2 | 5B | 77 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 1, Doctor Gradus ad Parnassum | Claude Debussy, Monique Haas | A♭ Minor | 0 | 1A | 125 BPM |