Wolfgang Amadeus Mozart, Susan Palma-Nidel, Bernard Rose, Nancy Allen, Orpheus Chamber Orchestra's 'Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose' came out on January 1, 1989. Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Susan Palma-Nidel, Nancy Allen, Orpheus Chamber Orchestra's "Mozart: Flute Concerto No.1 K.313; Concerto for Flute & Harp K.299; Andante K.315" album is number 5 out of 7. Based on our statistics, Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro - Cadenza: Susan Palma and Bernard Rose by Wolfgang Amadeus Mozart, Susan Palma-Nidel, Bernard Rose, Nancy Allen, Orpheus Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Der Stein der Weisen, Act I: Dialogue (1) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | A Minor | 4 | 8A | 120 BPM | ||
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM |