"Moroccan Dream" by Burak Ozdemir, BURAK, Musica Sequenza was released on June 4, 2021. The duration of Moroccan Dream is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Moroccan Dream's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 17 in Bach Opium by Christian Forshaw, Grace Davidson, Franz Liszt, Jonas Kaufmann, Stefan Temmingh, Capricornus Consort Basel, Carl Philipp Emanuel Bach, Nevermind, Quatuor Ébène, BURAK, Musica Sequenza, Diana Ramirez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Moroccan Dream is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Moroccan Dream by Burak Ozdemir, BURAK, Musica Sequenza is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Des Vaters Stimme ließ sich hören, BWV 7: Aria | Johann Sebastian Bach, Musica Sequenza, Burak Ozdemir | E Minor | 1 | 9A | 129 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 8 La chanson de la folle au bord de la mer: Lentement | Charles-Valentin Alkan, Laurent Martin | A♭ Major | 0 | 4B | 70 BPM | ||
From the Invisible to the Visible | Shara Worden, Nadia Sirota, James McVinnie, Daníel Bjarnason, Frank Aarnink, Valgeir Sigurðsson, Paul Evans, Missy Mazzoli, Paul Corley | C Minor | 1 | 5A | 73 BPM | ||
Masks | Meredith Monk, Theo Bleckmann, Katie Geissinger, Ching Gonzalez, John Hollenbeck, Allison Sniffin | E♭ Minor | 6 | 2A | 155 BPM | ||
Longing for a Frozen Sky | Ernst Reijseger | C Minor | 2 | 5A | 117 BPM | ||
To the Right the Enemy, To the Left the Sea | Simon Rackham | D♭ Major | 2 | 3B | 160 BPM | ||
Arcadiana, Op. 12: 6. O Albion (Arr. Clements) | Thomas Adès, Voces8 | F Major | 0 | 7B | 88 BPM | ||
Die Seele ruht in Jesu Händen, BWV 127: Aria | Johann Sebastian Bach, Musica Sequenza, Burak Ozdemir | F Minor | 1 | 4A | 137 BPM | ||
Music for 18 Musicians (modular version): Pulses | Steve Reich, Ensemble Signal | A Major | 4 | 11B | 107 BPM | ||
The Great Child in the Great Machine I | Ulrike Haage | D Minor | 0 | 7A | 66 BPM |