"25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 8 La chanson de la folle au bord de la mer: Lentement" by Charles-Valentin Alkan, Laurent Martin was released on June 8, 1990. With this song being about 5 minutes long, at 4:42, "25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 8 La chanson de la folle au bord de la mer: Lentement" by Charles-Valentin Alkan, Laurent Martin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 25 in Alkan: Preludes, Op. 31 by Charles-Valentin Alkan. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 8 La chanson de la folle au bord de la mer: Lentement is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 8 La chanson de la folle au bord de la mer: Lentement by Charles-Valentin Alkan, Laurent Martin is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 12 in F-Sharp Minor, Op. 30, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian, Piano | B Minor | 0 | 10A | 135 BPM | ||
La prière de Jeanne d'Arc | Charles Gounod, Brigitte Desnoues, Kai Gleusteen, Laurent Martin, Olivier Vernet | G Major | 0 | 9B | 95 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 3 Dans le genre ancien: Tres lentement | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 73 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
Danse macabre, Op. 40 (Arr. F. Liszt, V. Horowitz and y. Sudbin for piano) | Camille Saint-Saëns, Yevgeny Sudbin | E♭ Major | 2 | 5B | 90 BPM | ||
Barcarolle, Op.65 No.6 | Charles-Valentin Alkan, Jack Gibbons | G Minor | 0 | 6A | 113 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
25 Préludes, Op. 31: XVIII. Romance. Sans trop de movement | Charles-Valentin Alkan, Mark Viner | F♯ Minor | 0 | 11A | 73 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM |