Daniel Barenboim made "Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.5 in D major BWV874" available on 2004. With this song being about 5 minutes long, at 4:47, "Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.5 in D major BWV874" by Daniel Barenboim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 58 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.5 in D major BWV874 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.5 in D major BWV874 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Nocturne No.15 In F Minor, Op.55 No.1 | Frédéric Chopin, Daniel Barenboim | F Minor | 0 | 4A | 80 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Daniel Barenboim | D♭ Major | 0 | 3B | 179 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM | ||
Andantino in C Major, Wq. 116/23, H. 249 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 0 | 8B | 88 BPM | ||
Handel: Keyboard Suite in F Major, HWV 427: III. Adagio | George Frideric Handel, Sviatoslav Richter | D Minor | 0 | 7A | 176 BPM |