"Handel: キーboard Suite in F Major, HWV 427: III. Adagio" by George Frideric Handel, Sviatoslav Richter was released on 1982. With Handel: キーboard Suite in F Major, HWV 427: III. Adagio being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrei Gavrilov/Sviatoslav Richter's "Handel: キーboard Suites Vol. I" album is number 7 out of 38. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Handel: キーboard Suite in F Major, HWV 427: III. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: キーboard Suite in F Major, HWV 427: III. Adagio by George Frideric Handel, Sviatoslav Richter to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": II. Largo - andante | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 108 BPM | ||
Children's Album No. 2 "Sounds of Childhood": No. 8, Rhythmic Gymnastics | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Piano Trio in G minor, H.XV No.1: 1. Moderato | Franz Joseph Haydn, Beaux Arts Trio | G Minor | 1 | 6A | 125 BPM | ||
Suite en La: La Triomphante | Jean-Philippe Rameau, Alexandre Tharaud | E Major | 2 | 12B | 116 BPM | ||
Bunte Blätter, Op. 99: Albumblätter: IV. Ziemlich langsam | Robert Schumann, Matthias Kirschnereit | G Major | 0 | 9B | 136 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 16 in C-Sharp Minor | Johannes Brahms, Idil Biret | F Major | 0 | 7B | 109 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Cello Sonata in G Major, G. 5: III. Tempo di minuetto | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM |