Domenico Cimarosa, Theresia Orchestra, Alessandro De Marchi, Rocco Cavalluzzi, Eleonora Bellocci, Matteo Loi made "Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre" available on March 15, 2024. The duration of Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 39 in Domenico Cimarosa: Le Astuzie Femminili by Domenico Cimarosa, Theresia Orchestra, Alessandro De Marchi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Le astuzie femminili: VIII. 8. Recitativo dopo Aria Filandro: Se lo spezial mi scopre by Domenico Cimarosa, Theresia Orchestra, Alessandro De Marchi, Rocco Cavalluzzi, Eleonora Bellocci, Matteo Loi is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Seong-Jin Cho | F Major | 0 | 7B | 129 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
Requiem: Preces meae | Domenico Cimarosa, Adriana Kucerova, Terezia Kruzliakova, Ludovit Ludha, Gustav Belacek, Lucnica Chorus, Capella Istropolitana, Kirk Trevor | G Minor | 2 | 6A | 99 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM |