"Chamber Suite in Five Parts: V. Finale" by Rodion Shchedrin, Nikolai Kalinin, Valerij Tschernich, The Ossipov Balalaika Orchestra was released on January 1, 1999. The duration of Chamber Suite in Five Parts: V. Finale is about 3 minutes long, at 3:15. Based on our data, "Chamber Suite in Five Parts: V. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "The Ossipov Balalaika Orchestra, Vol III: Symphonic Works by Russian Composers". In this album, this song's track order is #8. Chamber Suite in Five Parts: V. Finale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chamber Suite in Five Parts: V. Finale by Rodion Shchedrin, Nikolai Kalinin, Valerij Tschernich, The Ossipov Balalaika Orchestra having a テンポ of 49 with a half-time of 24 テンポ and a double-time of 98 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
L'Arlésienne Suite No.1, WD 40: 2. Minuetto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A♭ Major | 0 | 4B | 182 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Carmen Suite after Bizet's Opera: 12.Fortune-Telling | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | F Minor | 1 | 4A | 116 BPM | ||
Music to Goethe's Tragedy "Egmont", Op. 84 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 183 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM |