"7 Magnificat-Antiphonen: No. 7, O Immanuel" by Arvo Pärt, Estonian Philharmonic Chamber Choir, Kaspars Putniņš was released on June 4, 2021. The duration of 7 Magnificat-Antiphonen: No. 7, O Immanuel is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 7 Magnificat-Antiphonen: No. 7, O Immanuel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schnittke & Pärt: Choral Works (2)". In this album, this song's track order is #14. The popularity of 7 Magnificat-Antiphonen: No. 7, O Immanuel is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Magnificat-Antiphonen: No. 7, O Immanuel by Arvo Pärt, Estonian Philharmonic Chamber Choir, Kaspars Putniņš having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
Fratres, für Violine und Klavier | Kayako Bruckmann, Arvo Pärt, Michael Van Krücker | D Major | 1 | 10B | 69 BPM | ||
Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Autumn Music 1 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 0 | 2B | 68 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
Für Alina, for Piano Solo | Arvo Pärt, Jürgen Kruse | B Minor | 0 | 10A | 68 BPM |